Alan Cumming’s Solo ‘Macbeth’
Why this Scot’s one-man take on the Scottish play feels like a sort of homecoming.
July/August 2012
The Scenic Route
A new script’s path from playwright’s head to design shop is paved with a-ha (and uh-oh) moments.
From Sea-Chanties to the Moon
A spate of intense new productions shows how Eugene O’Neill’s theatrical vision deepened as his canvas tightened.
Editor’s Note for July/August 2012
We mark the debut of a digital version with an issue ranging from Orange to Moscow, from O’Neill to stage designs.
From the Executive: Theatre People
TCG is building on 50 years of the call of adventure, acted upon.
Anthony Heald: Brushing Up His Shakespeare
An atypical career has provided the actor with high-impact roles on both coasts.
Dance-Makers Get a Little Help From Their Friends
An innovative mentoring program makes felicitous matches in the Bay Area and beyond.
After the Anger
Contemporary Russian theatre reflects a divisive political moment with rage, irony and low-fuss experimentation.
Coming Soon!
Creating an effective theatre trailer in 4 simple steps.
‘Romeo and Juliet’ at Oregon Shakespeare Festival
The production is set in 19th century California among warring Spanish aristocrats.
