Executive Letter: Inheriting Winter
A TCG co-executive director reminds us in our Winter 2025 issue that even in the middle of winter, it’s still possible to protest, organize, and cultivate a garden of hope for the future.
A TCG co-executive director reminds us in our Winter 2025 issue that even in the middle of winter, it’s still possible to protest, organize, and cultivate a garden of hope for the future.
Our 2025 Winter issue launches during uncertain times—but they are precedented.
At high school theatre programs big and small, well funded and not, educators are stoking excitement and building a future, both for their students and for the art form.
Theatre students, taught to do the job, deserve to learn more about how to get the job.
A brief introduction to the Fornés playwriting method, with a condensed exercise adapted by Migdalia Cruz from María Irene Fornés’s original lab at INTAR.
A response to Bram Stoker’s ‘Dracula,’ Ankita Raturi’s world premiere play explores what it means to try to survive in a new place when those already there treat you as a monster.
In Zora Howard’s new play, directed by Lileana Blain-Cruz, a relaxing evening is interrupted by an altercation with the police.
The world outside can’t help but enter the classroom, which offers both a challenge and an opportunity to make theatre training more meaningful.
The versatile actor-singer talks about theoretical physics, his childhood mentors, and Jacob Collier.
The commissioning program Generation Now emerged from a desire to diversify TYA, and may offer a model for more communicative collaboration across companies.