Tomorrow’s Tamoras and Titanias: How to Heal the High School Space
High school theatre programs have often been sites of harm, particularly for femme and non-binary kids of color, but some are paving a better path forward.
High school theatre programs have often been sites of harm, particularly for femme and non-binary kids of color, but some are paving a better path forward.
From ‘Proof’ to ‘Behind the Sheet,’ the Sloan Foundation has supported hundreds of plays about science and scientists. What can we learn from this still growing body of work?
At Florida Studio Theatre, one route to survival runs through real estate.
A TYA radio play-turned-musical opens this weekend at the Kennedy Center, with accessibility and community at the forefront.
Alumni, faculty, and students from historically Black colleges and universities weigh in on how their training prepared them to take centerstage.
In Miami New Drama’s production of Tectonic Theater Project’s ‘Las Aventuras de Juan Planchard,’ Venezuelan artists told a story they couldn’t tell at home.
A daughter’s grief memoir on a Wisconsin farm, an Ireland-set comedy with roles for a large Santa Cruz ensemble, and a mall drama set in Portland.
As TCG’s executive director leaves, she reflects on 17 years distinguished by transformation, upheaval, and new opportunities to connect.
Two actors about to take big swings on stages in Chicago and St. Paul, Minn., respectively.
The writer of ‘Jaja’s African Hair Braiding’ talks about her process, her curiosity about characters, and her play’s heartening success.