Japanese Theatre’s U.S. Expansion Teams
U.S. theatre’s relationship with its Japanese colleagues has come a long way since Tadashi Suzuki’s 1978 debut here.
U.S. theatre’s relationship with its Japanese colleagues has come a long way since Tadashi Suzuki’s 1978 debut here.
How a new genre of stage productions inspired by anime, manga, and video games are making Japanese pop culture 2.5-dimensional.
Non-human theatre both provokes and comforts in a post-Fukushima world.
The Chilean theatremaker, now touring the U.S., works at the intersection of spectacle and philosophy.
The future of the United States runs through South Florida stages.
Two writers take on the state of new musicals and the people who make them.
What should we expect from the U.S. theatre’s field-wide changing of the guard? A new generation of leaders gives cause for cautious optimism.
This spring, Karen Zacarías’s popular play is going up at three different theatres, and raises a prescient dialogue about border disputes and neighborly conduct.
A conversation with playwright Aleshea Harris about her play, which seeks to give a theatrical shape to rage and absurdity.
From an actor in Alaska to a scenic designer in Wisconsin, from a technical director in Texas to a producer in California, here are some folks to have on your radar.