The Last Word
A playwright speculates on God’s theatrical opinions and other mysteries.
A playwright speculates on God’s theatrical opinions and other mysteries.
How the design team of ‘The Who’s Tommy’ reinvented a rock-and-roll classic.
Magic realism is just another way to tell the truth, the playwright of ‘Marisol’ explains.
The theatre of the AIDS Memorial Quilt, a traveling graveyard that combines monumentality with patchwork and reimagines the connection between politics and the sacred.
Her mythology of one emanates a mysterious but universal truth.
What a viewing of 3 different productions of Paula Vogel’s second-generation AIDS play reveals about its essence and possibilities.
What do Plato and Pat Buchanan have in common?
Death came for everyone, or nearly so, in this year’s Humana Festival offerings.
A new production of ‘Good Woman of Sezuan’ offers cautionary parallels for post-reunification Germany.
The dire state of the nation’s economy has affected every aspect of nonprofit theatres’ operations, leaving them with few choices but to retrench and recalibrate.