What the Dickens?
Turning Marley’s face into a doorknob is just Problem No. 1 for ‘Carol’ adaptors.
Turning Marley’s face into a doorknob is just Problem No. 1 for ‘Carol’ adaptors.
The conflicts and commonalities I saw at this year’s TCG conference.
Times are changing at the world’s most famous—and infamous—passion play. Plus: Reflections of and on Obergammerau by Robert Wilson and Sarah Ruhl.
Who’s depriving American audiences of the great foreign-language theatre of the world?
Art is not made by committee. So what do we expect our boards to do?
Such questions may still confound, but several new-generation theatre writers have answers ready.
Christian theatre artists seek excellence—and salvation—onstage.
Broadway is fine and well, but it’s not the place to gauge the health of American playwriting.
Arena Stage goes another round with the heavyweight drama that changed all the rules.
By listening to ‘the figures that take up residence inside me,’ the playwright resurrects a lost and dangerous history—and dares audiences to venture with her into its depths.