Keeping Beckett Company
At BAM and beyond, his plays propel the willing on a rueful search for meaning.
At BAM and beyond, his plays propel the willing on a rueful search for meaning.
A 24-hour play festival unites playwrights with young people.
A musical about an Israeli spy in Syria gets a reading at the global meeting place, with contemporary resonances a bonus.
How Paul Watson’s war reporting inspired playwright Dan O’Brien’s haunted two-hander ‘The Body of an American.’
In ‘The Train Driver,’ South Africa’s master dramatist wrestles with the fate of a poor family and what it means to him.
A downtown man-of-all-work advocates an intimately collaborative approach.
The subscription model is dead; long live the subscription model.
Graphic versions of the Bard are proliferating like never before.
Sarah Cameron Sunde has become a specialist in the uncompromising vision of Norwegian master Jon Fosse. Her latest: ‘A Summer Day.’
Dan O’Neil unfurls an envirommental parable in ‘The Wind Farmer’ at Barter Theatre.