Theatrical Seekers and True Believers
New books document the processes and productions of 2 major New York companies.
Category Archives: Issue
Don’t Blame It on Their Youth
The problem with young adult shows on Broadway isn’t that they focus on teens—it’s which teens they focus on.
Featured Contributors, Dec. 2019
A chat with a theatre deity, and a heartening comeback story.
Letters for January/February 2020
As a former Chicago theatre person (artistic and then executive director of Free Street Theater, from 1991 to 2003), I was glad to see American Theatre devote an article to the wonderful ensemble scene in Chicago (“Stronger Together,” AT, Nov. ’19). But I found it “curious” that the writer neglected to mention perhaps Chicago’s oldest functioning theatre ensemble, Curious Theatre Branch. Curious has been devoted to new work for more than 30 years, having produced Rhinofest long before the first “Fringe” for most of that…
The Art of the Comeback
What Arkansas Rep learned after it suspended operations last year and turned itself around.
Meghan Pressman: In With the New
The first woman to manage the $55 million Center Theatre Group offers tips on how to raise money for innovation.
Letters for November 2019
Readers respond to our about our October special issue on small theatres.
This Month in Theatre History
From the beginnings of companies around the U.S. to the first AIDS Day With(out) Art and an August Wilson premiere, December has included a variety of theatrical milestones.
Devising German Democracy
Berlin’s Gorki Theater is at the forefront of an urgent international dialogue about diversity, immigration, and human rights.
Deep Cuts From the Archives
A look back at 1990, a time of activism and optimism for a field that had been somewhat under siege in the ’80s.
