Romeo Castellucci Opens Up to American Audiences
Italian director Romeo Castellucci talks theatre, air conditioning and observing art.
Italian director Romeo Castellucci talks theatre, air conditioning and observing art.
From sewing to sketching, focusing to carpentry, the technical work of theatre can be as creative as it is practical. The best schools know there’s no substitute for on-the-job training.
At the seminal WOW Cafe and beyond, Peggy Shaw and Lois Weaver have inspired generations of theatremakers with their seriously playful hybrid of vaudeville, drag, and postmodern appropriation.
The ease and speed of digital solutions for the stage is creating new possibilities—and raising new questions about how to train artists for such a rapidly evolving field.
At a space in downtown New York City, the art and technology center pushes at the edges of projection, immersion, and performance.
A busy day in the life of Chicago’s TimeLine production manager.
Quiara Alegria Hudes discusses her new trilogy of plays, “Elliot, A Soldier’s Fugue” (a Pulitzer Prize finalist), “Water By the Spoonful” (a Pulitzer winner) and “The Happiest Song Plays Last”.
When the Polish theatre guru came to teach in Irvine in the 1980s, he turned the group into a new experiment in mystery and discipline.
With Under the Radar, Coil, PROTOTYPE, American Realness, Other Forces, January is festival season in New York City. So snap out of it.
Wendy Smith reviews several new instructional books on stage arts.