Featured Contributors, July/August 2019
One reporter examined the ins and outs of theatre acoustics; another looked at City Lights’ experiments with tech-based talkbacks.
One reporter examined the ins and outs of theatre acoustics; another looked at City Lights’ experiments with tech-based talkbacks.
At San Jose’s City Lights, engagement can mean theatregoers texting actors or partying with them onstage.
From a Texas-bred hair and makeup designer to a Minnesota-based production manager, here are some folks you should have on your radar.
From the birth of playwright Bill Gunn to the beginnings of Odyssey Theatre Ensemble, Pittsburgh Public Theater, and Valley Youth Theatre, July has been a hot month for theatre.
With ‘Blue’ opening this week at Glimmerglass, the composer reflects on her approach to music and meaning, and leaks her ambition to make a musical film.
In the face of attendance unpredictability, let’s work together to ensure the vitality and impact of theatre for years to come.
Backstage jobs are still predominantly filled by white men, but the picture is slowly changing thanks to artists’ activism.
Stage sound comprises more than dialogue, effects, and music, and the folks who design it are doing more than mere augmentation.
Sound design isn’t one-size-fits-all, and distinctions within the discipline are crucial.
Live sound mixing, audience wearing headphones—today’s sound designers aren’t just on the sidelines anymore, they’re centerstage.