Featured Contributors, Feb. 2019
A deep dive into theatre in prison, and a study of William Kentridge’s latest opus.
An actor waits for his entrance during a rehearsal of “Macbeth” at Solano State Prison in 2015, as part of a program sponsored by Marin Shakespeare Company. (Photo by Peter Merts)[/caption]
A deep dive into theatre in prison, and a study of William Kentridge’s latest opus.
With her satire of performative wokeness, the Native American writer strives to subtly rewire audiences’ default responses.
Returning to the West Coast, the new-work-focused director takes on Portland and its possibilities.
A deep dive into experimental theatre demonstrated fresh ways to build connections among artists and audiences.
From a community arts organizer in Rhode Island to a literary manager in Texas, from a theatre architect in Illinois to a Wisconsin actor, here are some theatre workers to have on your radar.
From the birth of actor Phyllis Frelich to the opening of Vancouver’s Arts Club Theatre Company and premieres by Albee and Nottage, February has been a significant month for theatre.
The trailblazing director takes tension and turns it into art.
The former NFL player’s latest stage venture is ‘Topdog/Underdog’ at Nashville Repertory Theatre.
Arts and theatre programs won’t fix our nation’s incarceration problem, but they can do concrete and demonstrable good.
Formerly incarcerated individuals and corrections officials make a strong case.