A Harlem Renaissance
How theatres in the historic NYC neighborhood are stepping up their game with artists and audiences.
American Theatre is back in print, and these are just some of the stories in our current issue. To see the entire table of contents, go here. To get your print copy, go here to join TCG.
How theatres in the historic NYC neighborhood are stepping up their game with artists and audiences.
The New Zealand-based Indian Ink Theatre Company brings immersive festivities to a number of U.S. theatres starting this month.
How a cohort of artistic directors of color, recently hired at major U.S. theatres, have confronted unforeseen upheavals.
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
A hard-copy magazine about this ephemeral art form can mark its progress over time like no other medium.
An essay interrogating a hit musical about Filipino history, and a profile of 2 fascinating Chicagoland theatremakers.
Can any one publication tell the stories of a field that’s partly in crisis, partly hanging on, partly thriving? It can certainly bear witness to our accountability and abundance.
For this New York City-based costume designer and trans activist, artistry and protest are intertwined.
Yangtze Rep’s new production looks behind the scenes, and under the layers, of Arthur Miller’s Beijing staging of ‘Death of a Salesman.’
Dramas and comedies with a political edge top this year’s list (*actually 12 due to ties).