This Month in Theatre History
A playwright and abolitionist responsible for a variety of firsts, an international tour that changed acting in the West, and the birth of a feminist theatre collective with a unique approach to playmaking.
Theatre History
This Month in Theatre History
December brought the premieres of a powerful Pulitzer-winning drama, a Yiddish play by a prolific Jewish playwright, and a docudrama about a flashpoint in U.S. history.
How Megan Terry and Jo Ann Schmidman Made Magic in Omaha
How 2 veterans of New York’s 1960s-’70s avant-garde theatre made edgy, alternative theatre in a conservative state, and what enduring lessons their example may hold out for others.
This Month in Theatre History
November looks back on some Houdini hijinks, the origins of two major regional theatres, and a First Nations-led premiere.
On Holy Ground: The National Black Theatre Festival
Back in August after a pandemic hiatus, the biennial gathering of Black theatremakers reclaimed its status as both a reunion and a showcase for new work.
This Month in Theatre History
October recalls the extraordinary career of a 19th-century performer, the founding of both an Indianapolis institution and a West Coast bilingual theatre project, as well as the premieres of 2 very different works by queer Latinas on the East Coast.
This Month in Theatre History
September sees the beginnings of theatre in the U.S., the openings of major theatres on opposite coasts, a starry ‘Godspell’ reunion, and the start of a Chicago festival of Latino theatre.
Robert Hooks: Always About the Ensemble
The pioneering co-founder of Negro Ensemble Company looks back on an acting and producing career that was never just about himself.
This Month in Theatre History
August spotlights Black theatrical trailblazers, a theatre company that conquered all media, and a big theatre for little folks in the Lone Star state.
This Month in Theatre History
July features the founding of a few illustrious theatrical organizations, a turn on the burlesque business wheel, a Sam Shepard classic in the remaking, and a powerful advocate for Latino playwrights.
