This Month in Theatre History
September looks back on theatre in the colonies, early playwright protections, Midwest theatre milestones, living newspapers, and two groundbreaking Broadway musicals.
Theatre History
Voces del Teatro: Let Our Voices Be Heard
The untold history of the Latinx theatre movement in modern Los Angeles.
This Month in Theatre History
August theatre history brings the heat of protest, rolling blackouts, the creation of two new companies, and the less-than-stellar U.S. premiere of a literary star.
This Month in Theatre History
July brings a myriad of stories from theatre’s past, from an actress who witnessed Lincoln’s assassination to the a grounbreaking Deaf-and-hearing production on Broadway.
This Month in Theatre History
This month a famous cross-dressing performer finds love and success in her farewell tour, 2 new theatres are inaugurated, history is made at the Tony Awards, and an original musical gives voice to one of the first out trans U.S. mayors.
This Month in Theatre History
From a famous British mimic’s take on American types to the development of Asian American work the West Coast, the month is packed with noteworthy developments.
This Month in Theatre History
California gets its first theatre and a grand pageant, a choreographer preserves classic Broadway dance, and an early Paula Vogel work is staged in Canada.
This Month in Theatre History
March set the stage for political upheavals and peaceful exchanges between nations, a new dance company, a Chicana playwright, and the first female manager of a major U.S. theatre.
This Month in Theatre History
February recalls the premieres of 2 groundbreaking Black musicals on Broadway, the contentious beginnings of English theatre in the Big Easy, and a little company that could in Pennsylvania.
The Play That Got Away: A History of ‘The Sign in Sidney Brustein’s Window’
Lorraine Hansberry’s long-awaited sophomore effort was greeted coolly, even confusedly, in 1964, but ambivalence—about art, activism, and their fraught intersection—has always been in the play’s DNA.
