Trigger Warnings: How to Handle Guns Onstage and Off
Whether the weapons are real or fake, part of the show or not, your theatre needs to be prepared.
A column dedicated to innovative approaches to theatre-related challenges both artistic and administrative.
Whether the weapons are real or fake, part of the show or not, your theatre needs to be prepared.
How a small Florida theatre saved its big, foundering counterpart in a nearby town.
A Wallace Foundation grant gave Portland Center Stage room to experiment with their marketing and engagement programs for new theatregoers.
At San Jose’s City Lights, engagement can mean theatregoers texting actors or partying with them onstage.
The new app is designed to make vocal parts easy to learn for the rehearsal room and the stage.
How Opera Theatre of St. Louis used a Wallace Foundation Grant to test audience-building strategies.
This year, rather than airing a Super Bowl ad, the candy corporation hired Will Eno and Michael C. Hall to do a live, one-time-only musical. WTF?
When working on a show with sensitive topics, such as an adaptation of ‘Dracula’ with violence and blood, a diversity advocate can help you work through the uncomfortable conversations.
Auditioners and students looking for new musical theatre tunes, or songwriters looking to sell music, can turn to ContemporaryMusicalTheatre.com
Theatre artists with kids may struggle to find a livable balance, but increasingly they’re not struggling alone.