The Sticking Place
Why and how Shakespeare Theatre Company took a starry, bloody, transatlantic ‘Macbeth’ to the warehouse.
A deep dive behind the scenes of a production, from rehearsal to reviews.
Why and how Shakespeare Theatre Company took a starry, bloody, transatlantic ‘Macbeth’ to the warehouse.
When La Liga Teatro Elástico came to Chicago, they built a puppet parade to dramatize our ecological interdependence.
A Swedish production about teen insomnia tests the boundaries of storytelling with virtual technology.
In Miami New Drama’s production of Tectonic Theater Project’s ‘Las Aventuras de Juan Planchard,’ Venezuelan artists told a story they couldn’t tell at home.
Albany Park Theater Project partnered with Third Rail Projects to create a new immersive production that invites audiences into apartments in one of Chicago’s most diverse neighborhoods.
‘S D A (Someone Dies Again)’ may have been built by the Hungarian auteur and the California ensemble in an organic, communitarian way, but that didn’t shield them, or audiences, from its howling catharsis.
Lloyd Suh’s play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
How Baldwin Wallace University turned a ‘Totally Fucked’ year into an opportunity to film a virtual production of the rock musical.
This spring, Karen Zacarías’s popular play is going up at three different theatres, and raises a prescient dialogue about border disputes and neighborly conduct.
The production at Everyman Theatre delved into a painful Holocaust history—and into its narrator’s reluctance to confront it.