Fantastic Journey: Goat Farm Arts Leads the Resistance
The Atlanta–based company joins the YA-dystopia craze with an audience-interactive adaptation of Eoin McNamee’s “The Navigator.”
The Atlanta–based company joins the YA-dystopia craze with an audience-interactive adaptation of Eoin McNamee’s “The Navigator.”
Seattle’s A Contemporary Theatre debuts the “Norman Conquests” playwright’s latest.
Southern Theater’s latest premiere includes zombies, cannibals, and live hip-hop accompaniment.
The author of “Jesus in India” and “American Hwangup” discusses the premiere of his new work at the Children’s Theater Company in Minneapolis.
The musical adaptation of George A. Romero’s “Night of the Living Dead” shambles its way to a regional premiere at St. Louis’s New Line Theatre.
Geoff Sobelle takes cues from comedians in his new show at FringeArts.
Batten’s new show copes with parent/daughter divide by bringing the parents onstage.
The source text for Elevator Repair Service’s newest show isn’t a classic text but something more revealing: transcripts from a Supreme Court case on public nudity.
The collective of Asian-American artists will present the play about two Asian Americans in Wyoming.
Christina Ham’s play at Workhaus Collective explores class and race issues in a haunting way.