Carey Crim’s ‘Conviction’ Wends Its Way to the Rubicon
After countless workshops, readings, and revisions, Carey Crim’s “Conviction” is ready to open at the Rubicon, directed by Scott Schwartz.
After countless workshops, readings, and revisions, Carey Crim’s “Conviction” is ready to open at the Rubicon, directed by Scott Schwartz.
Ron Shelton’s “Bull Durham” goes from a baseball movie to a baseball musical, slated to run at the Alliance Theatre and directed by Kip Fagan.
Catherine Filloux’s “Selma ’65,” set to run at La MaMa E.T.C., is about Viola Liuzzo and Tommy Rowe, both of whom were deeply involved in the Civil Rights Movement in Alabama.
Both the University of Chicago’s Court Theatre and the American Blues Theater have taken an interest in play adaptions of Richard Wright’s “Native Son.”
Jordan Harrison’s “Marjorie Prime,” about artificial intelligence among other things, runs at Center Theatre Group’s Mark Taper Forum in Los Angeles.
Playwright Joe Waechter’s new play about a troubled teenager and the icy continent of Antarctica, opens at Illusion Theatre in Minneapolis.
Team Sunshine Performance Corporation and West Philadelphia’s Shakespeare in Clark Park co-produce an epic volunteer staging of Shakespeare’s history play.
The Woolly Mammoth Theatre Company in Washington D.C. brings back “Stupid Fucking Bird,” Aaron Posner’s riff on Chekhov’s “The Seagull.”
In its New York premiere, a play about publishing and intimacy in the Internet age, starring Billy Magnussen and Anna Gunn, gets an upgrade.
Northville, Michigan’s new production of James Kuhl’s play about a secret brotherhood, marks its maiden foray into new-play production.