Upstream Theatre's 'Antigone' Neither Avoids nor Exploits #Ferguson Echoes
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
New York’s Prelude Festival offers brief, unpredictable samplers of a wide variety of work, plus cozy collegiality. Plus it’s free.
Naomi Iizuka’s newest play ‘Good Kids’ begins its rolling premiere as part of the Big Ten New Play Initiative dedicated to commissioning female playwrights.
What other playwright could bring together a city’s diverse theatre artists, from classical to avant-garde, lavish to bare-bones?
The play ‘All our Tragic’ includes food breaks and the chance for audience members to sit down with the ensemble.
Despite what the title may suggest, Annie-B Parson and Paul Lazar of Big Dance Theater are in complete control of their newest piece.
Stephen Spotswood throws a modern twist in ‘Little Red Riding Hood’ with ‘In the Forest, She Grew Fangs’ at defunkt theatre.
Laural Meade’s melodrama “Harry Thaw Hates Everybody” gets a revival at Shotgun Players.
Former U.S. poet laureate Natasha Trethewey’s Pulitzer winning collection of poetry is getting made into a play at the Alliance Theatre.
Mike Daisey puts on a series of new monologues about Shakespeare’s tragedies at California Shakespeare Theater.