The Very Model of Modern Gilbert and Sullivan
The Hypocrites’ plucky, stripped-down takes on the G&S canon have become something of a sensation, and now they’re running them in a three-ring rep.
The Hypocrites’ plucky, stripped-down takes on the G&S canon have become something of a sensation, and now they’re running them in a three-ring rep.
Elements Theatre Company, a stage troupe within a Benedictine Christian community, forgoes religious pageantry for a mix of classics and new plays.
In a new installation/show in the Guthrie Theater’s Dowling Studio, artifacts of today become archeological curiosities.
Honolulu Theatre for Youth’s new devised show goes beyond “eat your vegetables” to teach kids about food and sustainability.
The dead of Père-Lachaise come to life in a fanciful new play at Pittsburgh Public Theater.
In staging Alice Childress’s obscure 1962 play, the classical-oriented Antaeus Company is making a statement about the play’s value—and its relevance.
After making an album together, the playwright/musician and singer/songwriter decided to collaborate on a new musical.
With her new play, the writer of “In the Next Room” and “The Clean House” imagines parenting a very precious child.
Site-specific maven Anne Hamburger, back from producing live shows for Disney theme parks, is behind a new multimedia piece about U.S. Marines, ‘BASETRACK Live.’
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.