Reanimating ‘The Hunchback of Notre Dame’ for the Stage, and Keeping It Dark
The songwriters of the Disney film join playwright Peter Parnell to reenvision the story as a tale of lust and deformity.
The songwriters of the Disney film join playwright Peter Parnell to reenvision the story as a tale of lust and deformity.
Tommy Smith’s new play at the Echo Theater Company moves along 3 tracks as it follows 3 great classical musicians and their chaotic love lives.
Fantasy and mythology cross-breed with early American history in Nathan Allen’s ambitious three-play series, now at last running in repertory.
As their 1998 musical about a lynching in the South readies for a Lincoln Center concert, the composer/lyricist and playwright recall its origins and its import.
How a Gershwin classic went from the concert hall to the cinema, and from Paris’s Théâtre du Châtelet to Broadway.
Director Steve Cosson explains how his troupe’s new show fits into a tradition of backstage musicals—and not just because of the crescendos and climaxes.
James Ortiz’s young company uses a mix of puppetry and human actors to create a wordless ‘Wizard of Oz’ prequel.
The reeling ecstasy of the troupe’s new “record album interpretation” comes via the most straightforward means imaginable.
Christina Masciotti’s uneasily naturalistic play depicts a factory worker fallen on hard times and caught between two contrasting neighbors.
Matt Lyle’s wild comedy, inspired by a mild real-life social humiliation, throws self-judgment and invidious class comparison on the grill next to the road kill.