In ‘Cenicienta,’ an Everyday Cinderella Spins Her Own Fairy Tale Variation
A coproduction of ZACH Theatre and Teatro Vivo, Rupert Reyes’s new take on the classic features found-object puppetry and forefronts themes of empowerment.
A coproduction of ZACH Theatre and Teatro Vivo, Rupert Reyes’s new take on the classic features found-object puppetry and forefronts themes of empowerment.
An Australian expat finds a way to write about her sense of dislocation via a tunnel to Asia and a killer crocodile.
The writer/performer explains his fascination with the vintage film actress who inspired his new play at Abrons Arts Center.
For his play at Kitchen Dog Theater, Trull adapts ‘The Importance of Being Earnest’ for the selfie generation.
Robert Schenkkan and Neil Berg’s new show dramatizes the three days between the crucifixion—and whatever happened next.
The Army of Broken Toys revive, and reorchestrate, the creepy Tiger Lillies musical. It’s still not for kids—and it’s louder (you can sample some exclusive tracks, below).
How do you adapt an underwater epic for the stage? Very carefully, say adaptors Ann Sonneville and Clint Sheffer.
After penning a dark, intense family drama, the Mississippi-born playwright started watching old silent comedies. The result: a frothy, flowery farce.
Director Chuck Smith curates an August Wilson Celebration, with readings of all 10 of the Century Cycle plays and little-heard Wilson poetry.
Her new play unfolds like a detective story, which is only fitting, since the playwright doesn’t map out her work but discovers it as she writes.