Reuniting Slave Families Who’ve Been ‘Torn Asunder’
Nikkole Salter’s new play converts research to drama in exploring how African Americans healed their families post-slavery.
Nikkole Salter’s new play converts research to drama in exploring how African Americans healed their families post-slavery.
There’s no escape for or from the tortured Tyrones, as Flock Theatre stages O’Neill’s masterpiece in the intimacy of his family’s historic cottage.
In Dawn Jamieson’s new play, four Iroquois high-beam walkers reckon with trauma past and present.
The Austin troupe’s new immersive piece offers audiences an interactive space to wander, watch, play—and reflect on the world.
Tony Taccone, a co-pilot for the first flight of ‘Angels in America,’ brings Kushner’s epic back home to Berkeley.
Lauren Gunderson and Margot Melcon’s new play, a sort of ‘Pride and Prejudice’ sequel, makes a bid for the holiday canon.
Murielle Borst Tarrant’s new play at La MaMa, parodically reclaims Native tropes and distortions, with a nod to Dante.
A 7-play project led by McCarter Theatre Center delves into the college’s haunted history.
His account of a seminal Civil Rights moment, staged partly with students at Virginia Stage, is a call to action for a new generation of activists.
The first site-specific piece in a planned three-year project kicks off with an immersive stroll through Little Havana’s Tower Hotel.