Jeremy Tiang: Translation and Transformation
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
The artistic director of the Magic Theatre talks to the playwright of ‘The Travelers,’ the playscript in our Summer print issue, about poetry, process, and possibility.
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
The writer of ‘Jaja’s African Hair Braiding’ talks about her process, her curiosity about characters, and her play’s heartening success.
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
A conversation with the writer of ‘Greater Clements’ about political plays, the dramatic form, and Idaho.
A conversation with the writer of ‘Heroes of the Fourth Turning’ about conversativism, Catholicism, and lingering in discomfort.
The author of ‘He Brought Her Heart Back in a Box’ talks about the play’s inspiration, her extraordinary parents, and her love for literature and old movies.
Jeremy O. Harris talks about the sexual politics of white supremacy, and about how he finds humor in horror (and vice versa).
A conversation with playwright Aleshea Harris about her play, which seeks to give a theatrical shape to rage and absurdity.