Emily Mann: The Quiet Radical
In 1990, the theatre’s board gambled on a young writer/director with an agenda. It’s paid off: Mann built a team around her vision, attracted new audiences, and steered the company through both crisis and triumph.
In 1990, the theatre’s board gambled on a young writer/director with an agenda. It’s paid off: Mann built a team around her vision, attracted new audiences, and steered the company through both crisis and triumph.
She comes from a large family of theatremakers. Is it any wonder she makes family, and theatre, everywhere she goes, from Cultural Odyssey to the California’s prisons?
The ‘Great Comet’ composer returns to Russia for ‘Preludes,’ and this time it’s personal.
The two composers met recently to talk music, theatre, and how they clear their conscience.
He’s happily played underdogs and second bananas, but in a new musical from Justin Paul and Benj Pasek, the ‘Pitch Perfect’ star at last has a role with range—and not just vocally speaking.
Robert Askins, writer of ‘Hand to God,’ talks with David Javerbaum, author of ‘An Act of God,’ about religion, theatre, and the music of comedy.
She already crossed a gender line. Now this northeast Ohio critic is crossing another barrier to become a playwright/performer.
He follows his Obie-winning show ‘No Place to Go’ with the album ‘Raw Milk,’ and lets us have an exclusive listen to two new songs from it.
The ‘Grimm’ star can’t stay away from the stage for long, whether in sunny L.A. or rainy Portland.
The festival founder talks about keeping theatre vital in a country recovering from dictatorship and facing new challenges.