Jocelyn Bioh: Specific and Universal
The writer of ‘Jaja’s African Hair Braiding’ talks about her process, her curiosity about characters, and her play’s heartening success.
The writer of ‘Jaja’s African Hair Braiding’ talks about her process, her curiosity about characters, and her play’s heartening success.
After a career focused on breaking down barriers to access, Gaur is at the helm of an organization uniquely positioned to move that work forward.
The festival’s leader accounts for what has been lost and gained from the “divorce” from the Public Theater, and what this year’s multi-venue iteration has in store.
This Pacific Northwest-focused roundup includes a literary burlesque artist, a scenic designer/drag performer, an award-winning Iranian playwright, and more.
Looking back on his 21 years as the lead theatre critic in the nation’s capital, he says he most cherishes the light he was able to shine on shows, artists, and companies.
This L.A.-focused roundup includes a writer-director, a patron services manager, a scenic painter, an actor who’s also a marketing director, and more.
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
With a wealth of experience in arts administration and branding, Durantt joins her neighborhood theatre ready to help its next stage of growth.
The Spanish dramatist, now in residency with NYC’s PlayCo, talks about his love for Pinter, his close work with translators, and the radical transformations made possible by live theatre.
How one iconic Chicago theatre photographer captures the ‘now’ not only with his camera but with his whole body and soul.