A Safe Room for Bold Plays
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Set to depart at the end of 2024 after six years at the helm, Lorca discusses her people-centered approach and love for the company.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
A tenor known for romantic leads, the actor-singer tackles the iconic demon barber with only a slight key change and an emphasis on the humanity as much as the horror.
This Miami-focused roundup includes folks focused on developing Latine work, stage management, lighting design, immersive theatre, and more.
The playwright of ‘Oslo’ and the new ‘Corruption’ likes to wrestle in public with the things that trouble him and our politics.
From an instant connection at a workshop to world premiere productions, the creative duo’s working relationship has continued to blossom over the years.
Her musical about the suffragists behind the 19th Amendment comes to Broadway with a few amendments of its own (and with Hillary Clinton as a producer).
The film and television actor talks returning to Chicago, acting training, and tackling Margaret Atwood’s ‘The Penelopiad’ at the Goodman.
A TYA radio play-turned-musical opens this weekend at the Kennedy Center, with accessibility and community at the forefront.