Marga Gomez’s Love/Hate Letter to Her Lesbian Role Models
In her raunchy new solo show ‘Pound,’ the solo performer takes on filmic stereotypes—and tries to one-up crude male comics.
In her raunchy new solo show ‘Pound,’ the solo performer takes on filmic stereotypes—and tries to one-up crude male comics.
From obscure classics to populist musicals and thrillers, Hartford Stage artistic director Darko Tresnjak is in the midst of a killer career.
She may have moved beyond the big bring-the-curtain-down numbers, but the singer can still bring down the house. Next: ZACH Theatre’s Ellington revue.
The playwright of ‘Ruined’ and ‘Intimate Apparel’ talks about her new play, inspired by America’s ‘de-industrial revolution’ and bowing this month at Oregon Shakespeare Festival.
A new play about loss and memory contemplates a world full of eternal afterimages—‘primes’—that can learn to look and act like us. But how will they feel?
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.
In 1990, the theatre’s board gambled on a young writer/director with an agenda. It’s paid off: Mann built a team around her vision, attracted new audiences, and steered the company through both crisis and triumph.
She comes from a large family of theatremakers. Is it any wonder she makes family, and theatre, everywhere she goes, from Cultural Odyssey to the California’s prisons?
The ‘Great Comet’ composer returns to Russia for ‘Preludes,’ and this time it’s personal.
The two composers met recently to talk music, theatre, and how they clear their conscience.