A.R. Gurney’s Last Play? For Pete’s Sake, Say It Ain’t So
The 85-year-old playwright is still on a path of discovery, with ‘Love and Money’ at Signature Theatre and a Broadway revival of ‘Sylvia.’
The 85-year-old playwright is still on a path of discovery, with ‘Love and Money’ at Signature Theatre and a Broadway revival of ‘Sylvia.’
The actor talks about his biographical Broadway show, Asian-American representation onstage, and cell phones in the theatre.
In our new monthly Role Call feature, we shine a light on theatre professionals across the country who deserve a bigger national profile.
The creators of ‘Theater of War’ and ‘ReEntry’ compare notes on adapting and creating cathartic experiences for servicemembers and other hard-hit communities.
For the busy director, who also heads the TEAM, theatre is a continual search for the miraculous.
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
The experimental theatremaker takes her cues from the natural world, the subconscious, and feminist thought in her genre-defining works.
In his funny, heartrending new play ‘Guards at the Taj,’ the writer of ‘Bengal Tiger at the Baghdad Zoo’ and ‘Gruesome Playground Injuries’ asks big questions through two small lives.
The seasoned New York lighting designer has been mentoring the young Mexican artist for a year. They met recently to talk about composition in time and space.
Lin-Manuel Miranda packed everything he knows about history, hip-hop, and musical theatre into his new hit show. No wonder ‘Hamilton’ is changing everything.