What’s This Sneaky Play Up To?
Playwright Christopher Chen talks about the twists and turns in his play ‘Caught.’
Playwright Christopher Chen talks about the twists and turns in his play ‘Caught.’
As if running a Manhattan arts center weren’t enough, Mikhail Baryshnikov has two new solo shows on his dance card.
The master director from St. Petersburg takes some liberties with the playwright’s final work, but the result is somehow all the more Chekhovian.
The versatile actor makes his playwriting debut with a romantic comedy in which he plays—who else?—the devil.
After years without the anchor of a home base, the leader of New Orleans’s preeminent theatre is steering the company to a snug new harbor.
Martin Miller and Robert Ford have made their small company a theatrical force in Northwest Arkansas, but it hasn’t happened in a vacuum.
With ‘Aubergine’ at Berkeley Rep and ‘Office Hour’ at South Coast Rep, Cho returns to playwriting after six years.
From spiritual connections to channeling spirits, this month’s theatre pros run the gamut.
What to do when you’re writing for TV and worry you’ve lost your stage mojo? Write a play about writing for TV.
The eminent critic looks back on a career, and a century, of high hopes and pitched battles.