The Roundabout Empire Wasn’t Built in a Day
How did a modest Off-Broadway company become America’s biggest nonprofit theatre? Having Todd Haimes at the helm probably didn’t hurt.
How did a modest Off-Broadway company become America’s biggest nonprofit theatre? Having Todd Haimes at the helm probably didn’t hurt.
The playwright and director came up together in Chicago theatre. Now they’re kicking off Shapiro’s Steppenwolf regime with Letts’s ‘Mary Page Marlowe.’
From backstage movers to onstage shakers, from Hawaii to Philly, another half dozen folks to have on your radar.
The playwright’s work might deal with weighty subjects, but not so heavy that uplift is out of the question.
Playwright Christopher Chen talks about the twists and turns in his play ‘Caught.’
As if running a Manhattan arts center weren’t enough, Mikhail Baryshnikov has two new solo shows on his dance card.
The master director from St. Petersburg takes some liberties with the playwright’s final work, but the result is somehow all the more Chekhovian.
The versatile actor makes his playwriting debut with a romantic comedy in which he plays—who else?—the devil.
After years without the anchor of a home base, the leader of New Orleans’s preeminent theatre is steering the company to a snug new harbor.
Martin Miller and Robert Ford have made their small company a theatrical force in Northwest Arkansas, but it hasn’t happened in a vacuum.