José Rivera and the Family Storm of ‘The Hours Are Feminine’
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
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Rami Margron: Big Diane Energy
What’s it like to get 3 chances to play a god? An actor talks to a playwright about confidence, gender, and climate.
Tom Lee’s Puppet Planet
Somewhere between the earth and the stars, tradition and experimentation, La MaMa and the Met Opera, he keeps exploring his art form’s possibilities.
Snehal Desai: At Last, a Roadmap for CTG
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.
Has the World Finally Caught Up With Roger Q. Mason?
With 3 productions this spring, the busy playwright’s kaleidoscopic historical fantasias—and their civic patience—are finding new homes.
Kristin Marting Won’t Be HERE Anymore
The founding artistic director of the influential New York City performance venue talks about the shows she’s loved, the changes she’s seen, and the road ahead.
Eboni Booth on ‘Primary Trust’: Only Connect
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
Amber Ruffin, Happy to Live in the World of ‘The Wiz’
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Henrik & Heidi & Anton & Amy
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
6 Theatre Workers You Should Know
These seasoned Atlanta artists prove that creative entrepreneurship and collaboration are keys to a vibrant career in one of the South’s most exciting cities.
