Michael Greif’s Triple Play
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
People
Evan Mills: Sharing Beautiful, Uncomfortable Laughter
After making waves in the Chicago comedy scene, the Second City alum has his eyes set on L.A., but not before helping others achieve their comedy dreams.
She Loves Theatre, But Does Theatre Love Her Back?
86-year-old Nicki Cochrane, a tireless fixture of New York theatre audiences, sees 500 shows a year, by any means necessary.
José Rivera and the Family Storm of ‘The Hours Are Feminine’
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
Rami Margron: Big Diane Energy
What’s it like to get 3 chances to play a god? An actor talks to a playwright about confidence, gender, and climate.
Tom Lee’s Puppet Planet
Somewhere between the earth and the stars, tradition and experimentation, La MaMa and the Met Opera, he keeps exploring his art form’s possibilities.
Snehal Desai: At Last, a Roadmap for CTG
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.
Has the World Finally Caught Up With Roger Q. Mason?
With 3 productions this spring, the busy playwright’s kaleidoscopic historical fantasias—and their civic patience—are finding new homes.
Kristin Marting Won’t Be HERE Anymore
The founding artistic director of the influential New York City performance venue talks about the shows she’s loved, the changes she’s seen, and the road ahead.
Eboni Booth on ‘Primary Trust’: Only Connect
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
