Wayne Brady: Talk Less, Sing More
From Lola’s heels to Aaron Burr’s simmer, the improv and TV star feels at home onstage.
People
Jesse Green Is Looking for a Good Argument
Why did The New York Times hire another white guy to be their new co-chief theatre critic? He plans to work hard to show us why.
What Does ‘Foxes’ Say? Cynthia Nixon and Laura Linney Find Out
The stars alternate in the leads of Lillian Hellman’s spiky classic in Manhattan Theatre Club’s new revival.
The Real Malloy
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.
David Korins Wants to Play in All the Sandboxes (Build Them Too)
The designer, who has four shows on Broadway right now, relishes cross-disciplinary collaboration.
How Sarna Lapine Makes ‘Sunday in the Park’ Sing
Family and time have something to do with how her new revival cracks open the great musical her uncle wrote with Sondheim.
In Pursuit of the Real ‘Anastasia’
Composer Stephen Flaherty and lyricist Lynn Ahrens talk about the musical’s long path to the stage.
Christine Ebersole, All Made Up for War
The Tony-winning actress returns to the Broadway stage in ‘War Paint.’
Robert Schenkkan’s Protest: A Portable ‘Wall’
Theatres who want to respond to the current political climate have a ready vehicle: an angry new two-hander by the author of ‘All the Way.’
Paige Evans: Writing Signature’s Future
The late playwrights’ advocate James Houghton left behind an embarrassment of riches for his successor, but she seems quite suited to the task.
