How Stan Lai Improvised a New Theatre From Old Forms
The legendary Taiwanese writer/director looks back on his long career, and discusses how American theatre compares to Chinese theatre.
The legendary Taiwanese writer/director looks back on his long career, and discusses how American theatre compares to Chinese theatre.
The longtime Newsday fixture—for decades New York’s only female first-string theatre critic—says she’s resigning, not retiring.
The star is breaking out of her familiar type in the new musical about World War II veterans.
His minimalist aesthetic seems to mesh well with the character-driven work of the composer/lyricist. Next: ‘Pacific Overtures.’
American Theater Co. of Chicago’s new artistic director looks for magic in small spaces.
How the Complicite auteur follows trains of thought to the stage, then gets whole audiences on board.
Her comical ‘King of the Yees’ is not your average family play, but then her dad isn’t your average dad.
The writer/performer’s new show at Dixon Place promises a carnival ride through a memoir’s revelations.
Branden Jacobs-Jenkins’s new play is a family drama fired by questions of race, class, and what it means to be human.
How the actor keeps it real at the center of a stunning new staging of O’Neill’s stylized 1922 drama.