Stephen Schwartz Revisits, and Revises, ‘The Prince of Egypt’
The Tony-winning composer explains how piracy helped propel the stage adaptation of the beloved film.
The Tony-winning composer explains how piracy helped propel the stage adaptation of the beloved film.
From a sound designer in New York City to an arts administrator in Baltimore, here are some theatre workers to have on your radar.
After a quarter century at the helm of ACT, the classics-minded director/playwright is quitting while she’s ahead.
His unprecedented tenure at Yale Rep may be topped off (fingers crossed) by a new theatre-and-school complex.
For the characters in Guillermo Calderón’s plays, daring to get things wrong can lead to a deeper understanding.
This month the ‘Malcolm’ mom will play the Stage Manager in a production with Pasadena Playhouse and Deaf West.
The actor reunites with her friend on ‘Moscow Moscow Moscow Moscow Moscow Moscow,’ a modern take on ‘Three Sisters’ at Williamstown.
Jen Silverman’s dark comedy may be inspired by Victorian novels, but its skewering of gender and class is unapologetically modern.
The legendary Method company is still home, she says, for those who want to dig deep and surprise themselves.
New York magazine’s new critic is also New York’s newest critic, and she says she’s as ready to listen as to talk.