Tina Landau, World Builder
The ‘SpongeBob’ director has built a career on experimentation, even within traditional forms. Her next assignment: a musical of ‘Dave.’
People
Kris Vire’s Newest Review: Of His 13 Years as a Chicago Theatre Critic
The recently laid off editor of Time Out Chicago reflects on the scene he’s covered and the state of arts journalism.
Leslye Headland on Sin, Certainty, and Harvey Weinstein
After a decade, she concludes her ‘Seven Deadly Plays,’ and finally opens up about her time working at Miramax.
Les Waters’s Vision of Life
The outgoing artistic director of Actors Theatre of Louisville talks about new plays, directing vs. interpreting, and his impressive beard.
6 Theatre Workers You Should Know
From the Public Theater’s front desk to the backstages of Kansas City, from Cincinnati to Murphy, Texas, here’s a diverse group of stage folks who should be on your radar.
David Henry Hwang: Backward and Forward
This season, America’s leading Asian-American playwright revisited his most famous play, ‘M. Butterfly,’ and wrote a new musical, ‘Soft Power.’
Rising Leaders of Color’s Oregon Cohort: Only Connect
A look at six young theatre workers who’ve spent the last year exploring their work and its meaning.
Why Phylicia Rashad Will Never Direct Herself
She is directing two productions back to back; here’s how she chooses her projects.
Sarah McLellan: EST’s Developing Story
She brings an administrative brain to a small, hardy new-play company on the verge of an upgrade.
Joe Mantello: The Way We Do the Things We Do
As a director, he’s interested in how people act on each other; he also has a visual instinct. Both came in handy for ‘Three Tall Women.’
