At New York Stage Review, Critics Are Doing It for Themselves
Five credentialed writers have bucked the trend of arts journalism cutbacks to create a new review website.
Five credentialed writers have bucked the trend of arts journalism cutbacks to create a new review website.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
From an activist in Oakland, Calif., to a scenic artist in Atlanta, from an educator in Los Angeles to a producer in New York City, check out this month’s cohort of theatre workers.
Where will she take the experimental theatre she inherits from its co-founders? Its history of risk and radicalism points the way.
The writer of ‘The Ghosts of Lote Bravo’ talks about embracing her heritage and depicting the pain of exploited women.
A role as the gay Mormon lawyer in ‘Angels in America’ on Broadway brings the Texas-born actor back to a play that helped make him an actor.
The Oregon Shakes leader will cross the country to take on a new challenge: to lead a performing arts center at New York’s World Trade Center.
After leading a big transition at Portland Center Stage, he’s making one of his own to take the reins at Denver Center Theatre Company.
From an IT director to a sound/media designer, from a scenic artist to an administrator, check out this month’s cohort of theatre people you should know.
Ireland will reprise her role in Martyna Majok’s ‘Ironbound’ this month at Geffen Playhouse.