The Borders of Our Lives
The writer of ‘The Ghosts of Lote Bravo’ talks about embracing her heritage and depicting the pain of exploited women.
The writer of ‘The Ghosts of Lote Bravo’ talks about embracing her heritage and depicting the pain of exploited women.
A role as the gay Mormon lawyer in ‘Angels in America’ on Broadway brings the Texas-born actor back to a play that helped make him an actor.
The Oregon Shakes leader will cross the country to take on a new challenge: to lead a performing arts center at New York’s World Trade Center.
After leading a big transition at Portland Center Stage, he’s making one of his own to take the reins at Denver Center Theatre Company.
From an IT director to a sound/media designer, from a scenic artist to an administrator, check out this month’s cohort of theatre people you should know.
Ireland will reprise her role in Martyna Majok’s ‘Ironbound’ this month at Geffen Playhouse.
The Tony-winning Broadway and regional freelance director succeeds longtime leader Carey Perloff.
From a computer wiz to a sculptor, from a playwright to a professor, check out this month’s cohort of theatre workers you should know.
The theatre in Plano, Texas shuttered in December after more than two decades. We speak to its artistic director, who is moving back overseas.
The poet’s haunting ‘Native Guard,’ now a theatre piece at the Alliance, goes to the Civil War and back.