Eboni Booth on ‘Primary Trust’: Only Connect
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
These seasoned Atlanta artists prove that creative entrepreneurship and collaboration are keys to a vibrant career in one of the South’s most exciting cities.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Set to depart at the end of 2024 after six years at the helm, Lorca discusses her people-centered approach and love for the company.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
A tenor known for romantic leads, the actor-singer tackles the iconic demon barber with only a slight key change and an emphasis on the humanity as much as the horror.
This Miami-focused roundup includes folks focused on developing Latine work, stage management, lighting design, immersive theatre, and more.
The playwright of ‘Oslo’ and the new ‘Corruption’ likes to wrestle in public with the things that trouble him and our politics.