Kerry Reid, Windy City Witness
The longtime critic and reporter, now theatre and dance editor at the Chicago Reader, gives her take on the city’s vibrant, often misunderstood theatre scene.
The longtime critic and reporter, now theatre and dance editor at the Chicago Reader, gives her take on the city’s vibrant, often misunderstood theatre scene.
The Tony winner has found fame via TV’s ‘Pose,’ but he can’t seem to quit the theatre.
With ‘Beetlejuice’ and ‘Moulin Rouge!’ on Broadway, the prolific director has become something of a movie-to-musical expert.
The Emmy-nominated comic discusses her new show, ‘Douglas,’ living with autism, and how her works are neither purely standup nor theatre.
From a Texas-bred hair and makeup designer to a Minnesota-based production manager, here are some folks you should have on your radar.
The city’s chief critic sees his job as not just evaluating local work but exposing it to a wider audience.
With ‘Blue’ opening this week at Glimmerglass, the composer reflects on her approach to music and meaning, and leaks her ambition to make a musical film.
Composer Jeremy Douglass was inspired by video games to create underscoring that reacts in real time to the action onstage.
Jeremy O. Harris talks about the sexual politics of white supremacy, and about how he finds humor in horror (and vice versa).
The monologuist is telling his most personal story ever at the Public Theater, and he finds that music helps the medicine go down.