Mary-Louise Parker: Finding ‘The Sound Inside’
Though Broadway has pulled her back for Adam Rapp’s ‘The Sound Inside’ and Paula Vogel’s ‘How I Learned to Drive,’ she’s thinking of quitting the stage.
Though Broadway has pulled her back for Adam Rapp’s ‘The Sound Inside’ and Paula Vogel’s ‘How I Learned to Drive,’ she’s thinking of quitting the stage.
Succeeding Sara Holdren at New York magazine, Shaw will shine her unblinking critical light on works big and small.
For the actor/dancer it’s all about storytelling around the campfire, whether it’s theatre, dance, or AC/DC.
Fleming brings his vast experience working as a multidisciplinary artist across the U.S. back to his home state of Kentucky.
From a producer in Brooklyn to a costume designer in South Carolina, here are some theatre workers to have on your radar.
An actor known for playing great women leaders takes on the shy, brilliant Supreme Court justice in the two-hander ‘Sisters in Law.’
Why a master interpreter of August Wilson thinks it’s the right time to revisit but his 360-degree vision of Blackness.
The Texas-born, Oregon-based playwright imagines a Steinbeck sequel with timely resonance.
From a producer in North Carolina to a set designer in New York, from a playwright in Illinois to a theatremaker in Texas, here are some folks to have on your radar.
The author of ‘He Brought Her Heart Back in a Box’ talks about the play’s inspiration, her extraordinary parents, and her love for literature and old movies.