Princess for a Play
As theatres across the country diversify their casting of Disney princesses in musicals, more girls get to see themselves onstage.
As theatres across the country diversify their casting of Disney princesses in musicals, more girls get to see themselves onstage.
As the Chicago playwright’s newest work hits the Raven Theatre stage, Allen revisits the gestation and meaning of his South Side-set Grand Boulevard Trilogy.
In her early days as the org’s producing artistic director, she discusses process and the state of new-play development in American theatre.
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
After making waves in the Chicago comedy scene, the Second City alum has his eyes set on L.A., but not before helping others achieve their comedy dreams.
86-year-old Nicki Cochrane, a tireless fixture of New York theatre audiences, sees 500 shows a year, by any means necessary.
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
What’s it like to get 3 chances to play a god? An actor talks to a playwright about confidence, gender, and climate.
Somewhere between the earth and the stars, tradition and experimentation, La MaMa and the Met Opera, he keeps exploring his art form’s possibilities.
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.