Somáh Haaland: ‘We Have a Lot to Say’
The New Mexico performer/writer/activist talks storytelling, systemic inequity, and Indigenous representation.
The New Mexico performer/writer/activist talks storytelling, systemic inequity, and Indigenous representation.
Sydney Magruder Washington, who has been outspoken about her mental illness, is using quarantine to reflect on her identity and place in the world.
The Southern-bred director spent his early years breaking down barriers, and he’s now intent on joining a movement for change and inclusivity in the theatre.
Keone and Mari Madrid find ways to continue their choreographic craft, with their 10-month-old daughter crawling right behind them.
With ‘The Minutes’ on hold, Pendleton is passing time with ‘The American Clock’ and Zoom scene study classes.
With the chance to work in theatre on hold, Nicole M. Carroll has paused her dreams and found a way for her talent to be useful.
The director and co-founder of DNAWORKS has made it his life’s work to be fully present in the complexity and plurality of life.
A conversation with the writer of ‘Greater Clements’ about political plays, the dramatic form, and Idaho.
Performer Leah Urzendowski talks Neo-Futurism, clowning during coronavirus, and bringing joy through movement.
Korte opens up about the passion and purpose behind the Broadway mashups he brings to YouTube.