Real Talk: Can Broadway Broaden Its Access and Impact?
Broadway producers Ron Simons and Hunter Arnold talk about the changes they’ve seen (and been a part of) in their field, and point to the changes that are still needed.
Broadway producers Ron Simons and Hunter Arnold talk about the changes they’ve seen (and been a part of) in their field, and point to the changes that are still needed.
The multidisciplinary Philly artist can’t be pinned down, but she is never less than fiercely present. Her next collaborative piece: Tall Order’s ‘Those With 2 Clocks’ at the Wilma.
His new dance-theatre piece with Alan Cumming, ‘Burn,’ is another showcase of the approach to movement language that has made all Hoggett’s choreography so distinctive.
The writer of ‘School Girls’ and ‘Goddess’ writes stories American theatres haven’t seen before but that audiences immediately recognize.
Broadway-bound for the first time at 79, working actor Beasley feels that his role in ‘The Notebook’ came along at just the right time.
The pioneering co-founder of Negro Ensemble Company looks back on an acting and producing career that was never just about himself.
Now directing the L.A. premiere of Steven Levenson’s Jewish American family drama ‘If I Forget,’ Alexander holds forth about identity, history, and what he learned from Jerome Robbins.
She succeeds Robert Falls at the company where she once worked as director of new-play development, after 21 years leading Atlanta’s biggest nonprofit theatre.
Two theatremakers explore both the need for and the possibility of a truly diverse aesthetics of the theatre.
Actors Theatre of Louisville’s artistic director sets the record straight about the status of the Humana Festival and the company’s ongoing efforts to match ambition with capacity.