Digging Deep With Native Theatre Icon Muriel Miguel
Over nearly 5 decades, the co-founder of Spiderwoman Theater has harnessed great if under-acknowledged power, and has felt an accordingly great sense of responsibility.
Over nearly 5 decades, the co-founder of Spiderwoman Theater has harnessed great if under-acknowledged power, and has felt an accordingly great sense of responsibility.
James Ijames, Kristina Wong, and Sylvia Khoury talk about what inspired their award-worthy plays and how they shaped them.
The NYC-based company will next host Criminal Queerness Festival, welcoming theatremakers from nations where homosexuality is outlawed at a time when U.S. also faces renewed threats from the homophobic right.
When he put ‘Broadway’ in a song lyric, Michael R. Jackson was unwittingly naming the destination, and the destiny, for his unapologetically Black and queer musical, which won the Best Musical Tony last night.
From ‘In Love and Warcraft’ to ‘Queen,’ she’s one of the theatre’s busiest and most versatile playwrights, though her success has come with its share of pain and disillusionment.
A director with bicoastal credits and extensive experience developing new work, she will succeed NYTW’s longtime leader Jim Nicola.
Like the characters in his language-lacerating work, the Chicago-bred playwright often spoils for a fight, even when the topic isn’t his increasingly conservative politics.
After 52 years at the influential bilingual theatre, 17 of those at the helm, Robert Federico feels he is leaving Repertorio in good hands with Rafael Sánchez.
At Bucks County Playhouse, the award-winning actor stars in a one-woman show reckoning with the legacy of her showbiz family and the experiences of Asian Americans in the theatre.
The writers of ‘Exception to the Rule’ and ‘What the End Will Be,’ both at Roundabout Theatre, talk about their paths from home to work, and possibly back again.