Octavio Solis, in the Company of His Characters
The playwright talks with director Chi-wang Yang about his new play ‘Scene With Cranes,’ about making theatre in a bar, and about the unacknowledged grief of the world.
The playwright talks with director Chi-wang Yang about his new play ‘Scene With Cranes,’ about making theatre in a bar, and about the unacknowledged grief of the world.
With a Broadway debut about disabled folks and their caretakers, the playwright of ‘Sanctuary City’ and ‘Ironbound’ is again writing at the margins.
This busy writer-director, known for new works, is now staging ‘A Raisin in the Sun’ at the Public, but it’s more a case of continuing a legacy of Black iconoclasm than a new career phase.
Broadway producers Ron Simons and Hunter Arnold talk about the changes they’ve seen (and been a part of) in their field, and point to the changes that are still needed.
The multidisciplinary Philly artist can’t be pinned down, but she is never less than fiercely present. Her next collaborative piece: Tall Order’s ‘Those With 2 Clocks’ at the Wilma.
His new dance-theatre piece with Alan Cumming, ‘Burn,’ is another showcase of the approach to movement language that has made all Hoggett’s choreography so distinctive.
The writer of ‘School Girls’ and ‘Goddess’ writes stories American theatres haven’t seen before but that audiences immediately recognize.
Broadway-bound for the first time at 79, working actor Beasley feels that his role in ‘The Notebook’ came along at just the right time.
The pioneering co-founder of Negro Ensemble Company looks back on an acting and producing career that was never just about himself.
Now directing the L.A. premiere of Steven Levenson’s Jewish American family drama ‘If I Forget,’ Alexander holds forth about identity, history, and what he learned from Jerome Robbins.