‘My Tone Is Indigenous’: Larissa FastHorse on Native Comedy and Storytelling
Her ‘Thanskgiving Play’ is the first play by a Native woman playwright on Broadway, but you can leave your virtue-signaling and tragedy-porn expectations at the door.
Her ‘Thanskgiving Play’ is the first play by a Native woman playwright on Broadway, but you can leave your virtue-signaling and tragedy-porn expectations at the door.
Arena Stage’s artistic director looks back on a quarter century of programming for the unique community that comprises the nation’s capital.
In ‘Ava: The Secret Conversations,’ McGovern has written a vehicle for herself, as well as a tribute that plumbs the complications of a Golden Age beauty.
Taking the baton into her own hands, the busy orchestrator founded Broadway Sinfonietta not only for her but for other women of color often denied a seat in the orchestra.
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’
Artistic director Justin Waldman and managing director Nora Deveau-Rosen have taken over a New Jersey theatre not far from NYC but with strong roots in its community.
In tackling Eric Bogosian’s multi-character show ‘Drinking in America’ as his first stage performance in 15 years, the Bronx-born actor is making a defiant return to his roots.
Two in-demand directors of new plays meet to discuss their current projects and the state of the field.
Though their Off-Broadway show is sold out, the musical trio is still trying new things onstage.
In ‘the ripple, the wave that carried me home,’ next playing at Kansas City Rep and Yale Rep, this busy playwright pens another piece inspired by history.