No Sondheim Is Alone: 3 Directors on His First Posthumous Revivals
Lear deBessonet, Maria Friedman, and Tommy Kail compare notes on staging ‘Into the Woods,’ ‘Sweeney Todd,’ and ‘Merrily We Roll Along.’
Lear deBessonet, Maria Friedman, and Tommy Kail compare notes on staging ‘Into the Woods,’ ‘Sweeney Todd,’ and ‘Merrily We Roll Along.’
The disarming myth-making musical ‘Lizard Boy,’ about to make its NYC debut, is just one of the trails being blazed by this Seattle-based auteur.
What would take a busy freelance director off the road? The chance to gather and serve communities—especially those who’ve been under-served.
Both with his Tectonic collaborators and on his own, the playwright-director has always explored the architecture of theatre and its potential social impact.
The company’s 5-decade journey from Off-Off-Broadway outlier to Broadway powerhouse has been steered all along by the same 2 leaders.
The departing leader of Baltimore Center Stage talks about the challenges the theatre field is facing, and about the changes she was able to make to address them.
For the versatile playwright-performer, whose ‘Joy and Pandemic’ is up at the Huntington, writing is a way to understand themself and the world.
The playwright of ‘Kimberly Akimbo’ and ‘Good People’ reflects on a body of work that has evolved in style but can’t help but show his roots.
The current artistic director the Repertory Theatre of St. Louis, Sharif will succeed Molly Smith when the longtime AD retires in June.
A playwright who finds writing musicals both impossible and irresistible, he has a new adaptation of ‘An American Tail’ opening at Children’s Theatre Company.