Reviewing the Situation With Sara Holdren and Jackson McHenry
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
The Pulitzer-winning author of ‘English’ and the Pulitzer finalists for ‘On Sugarland’ and ‘The Far Country’ gather to talk craft, language, expectation, and optimism.
Joining Writers Theatre after running Seattle Rep has reconnected him to his youthful love for making theatre, but he knows there’s still much work to be done.
The Huntington’s longtime managing director reflects on 4 decades, and 4 artistic directors, at Boston’s largest theatre.
As 1 of 3 leaders at the influential NY theatre, she spent the last 4 years helping it realize outsized ambitions, both onstage and on the balance sheet.
As he enters his last season leading Minneapolis’s Children’s Theatre Company, he reflects on the unique inspiration and value in making work for young people.
As IRT’s longest-serving artistic director, Allen has led the company with an eye on the future, and now it’s Hanna’s turn to serve Indiana’s unique Midwestern audience.
In his Broadway show about Jewishness, antisemitism, and whiteness, ‘Just for Us,’ the comic makes audiences ponder who the ‘us’ is.
2 trans actors discuss what they’ve found in the role of ‘Twelfth Night’s sad clown, in productions at St. Louis Shakespeare Festival and the Old Globe.
The theatre’s current interim leaders will now form a partnership—an alliance, if you will—to jointly run Atlanta’s flagship theatre.