Russians Beyond Compassion in Andriy Bondarenko’s ‘Ghost Land’
In a triptych of plays, now onstage in Santa Monica, Calif., the Ukrainian playwright responds with ferocity to the invasion of his country.
Interviews
Rachel Bloom Misses Herself
In her new Off-Broadway piece ‘Death, Let Me Do My Show,’ the actor-writer-songwriter frankly and funnily revisits the traumas and joys of the past 4 years.
Martin Miller: From the Ozarks to the Turnpike
The former executive director of Arkansas’s TheatreSquared has just taken the same job at Princeton’s McCarter Theatre Center, and he’s ready to open the gates.
Martine Kei Green-Rogers: Using Questions for Good
Green-Rogers brings a dramaturgical approach to leadership roles at The Theatre School at DePaul and the Association for Theatre in Higher Education.
Giovanna Sardelli Is Meeting the Moment
The newly appointed artistic director of TheatreWorks Silicon Valley makes the case for keeping communities close through storytelling onstage.
How Patti Hartigan Learned What She Learned About August Wilson
A reporter and critic who knew Wilson nearly from the start of his playwriting peak, she wrote the biography she wanted to see.
One Last Ice Factory Chill for the New Ohio’s Robert Lyons
The Off-Off-Broadway artist-impresario reflects on 30-plus years of downtown experimentation.
Marya Sea Kaminski and Shaunda McDill: Making Pittsburgh Public
The artistic director and managing director of Pittsburgh Public Theater make the case for programming that is uniquely fresh and local.
Reviewing the Situation With Sara Holdren and Jackson McHenry
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
Sanaz Toossi, Aleshea Harris, Lloyd Suh: Finding Form and Who Their Plays Are For
The Pulitzer-winning author of ‘English’ and the Pulitzer finalists for ‘On Sugarland’ and ‘The Far Country’ gather to talk craft, language, expectation, and optimism.
