The Prime of Robert Brustein
Critic and company man, he has built an audience for adventurous work and an institute to train for it.
Critic and company man, he has built an audience for adventurous work and an institute to train for it.
With some tough battles behind him in Providence, Adrian Hall is back on the theatrical frontlines in Dallas.
Jack Viertel goes from daily critic to in-house dramaturg at L.A.’s flagship theatre.
There’s no mystery to making a musical, declares the theatre’s most acclaimed composer. It’s just hard work.
On the National Council for the Arts, he’ll speak for the ‘tough, ephemeral’ art of theatre.
Studs Terkel interviews Lorraine Hansberry.
After more than a quarter century in the theatre, Athol Fugard has found a new vantage point from which to review his past and conjecture about the future.
An American giant in her dotage weighs in on success, fear, love, and idealism.
Why does the author of ‘True West’ write plays? To see and hear things he can’t find anywhere else.