20 Questions for Bill Pullman
A chat with the busy actor, now appearing in Beth Henley’s ‘The Jacksonian’ at the Geffen Playhouse.
A chat with the busy actor, now appearing in Beth Henley’s ‘The Jacksonian’ at the Geffen Playhouse.
Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order.
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.
For Peter Sellars and Maya Zbib, mentorship isn’t a one-way exchange.
Their much-anticipated ‘Tales of the City’ musical will debut—where else?—in San Francisco.
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
In an interview, voice-work innovator Catherine Fitzmaurice prescribes a holistic regimen of freedom, release, and transcendence.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
Who was Shakespeare, anyhow? Do even the experts really know? And why should anybody care?
With so many academic programs cranking out new designers, what exactly are we training them for—and how?