Roche Schulfer, the Goodman Theatre’s Shrewd Steward
Since joining the theatre’s staff four decades ago, he’s helped guide the Chicago theatre to national flagship status. It wasn’t an easy or inevitable climb.
Since joining the theatre’s staff four decades ago, he’s helped guide the Chicago theatre to national flagship status. It wasn’t an easy or inevitable climb.
His new play looks at aging parents and the children who care for them, and doesn’t mind laughing at the things that are beyond understanding.
The longtime actor never intended to be a director, but when his husband’s musical needed a leader, he stepped up and found a new passion.
In her first play for the Humana Festival, Jen Silverman pays a tribute to badass women in their 50s.
In her play ‘I Will Be Gone,’ hauntings and grief are served with comedy and cupcakes.
Veteran composer John Kander talks and emerging talent Nick Blaemire, both with new musicals at Arlington’s Signature Theatre this month, trade thoughts about the state of musical theatre.
The actress, now starring in ‘End of the Rainbow’ at International City Theatre, talks about learning to love Judy and why working in real estate wasn’t right for her.
Language and culture, not race, are the faultlines in a new adaptation of Shakespeare’s tragedy by Norwegian director Stein Winge.
The director left the company he founded to pursue his own muse. But he’s since learned that theatre is about community, and leadership is about service. Oh—and he had some time and money on his hands.
The playwrights of ‘The World of Extreme Happiness’ and ‘Caught’ talk about their complicated relationship to their heritage and the nuances of being Hapa.