PAJ at 40: A Downtown Witness, Still on the Beat
Founded during a fertile New York moment, Bonnie Marranca’s journal continues to cover performance critically, not academically.
Founded during a fertile New York moment, Bonnie Marranca’s journal continues to cover performance critically, not academically.
The choreographer/director discusses the new Toulouse-Lautrec musical at Long Wharf Theatre, with music by Charles Aznavour.
Taking a cue from the Jazz Age icon’s fearlessness, singer/actor Cox adds some dance to her résumé for a show at Asolo Rep.
In a first for the British theatre giant, it has helped create a new American production of Lucy Prebble’s ‘The Effect’ at the Barrow Street Theatre.
Tim Federle, author of ‘Better Nate Than Ever,’ talks about his journey from chorus boy to cowriter of the musical ‘Tuck Everlasting.’
With ‘Rain’ and ‘First Daughter Suite,’ the composer/lyricist returns to signature themes in typically uncharted ways.
How did a modest Off-Broadway company become America’s biggest nonprofit theatre? Having Todd Haimes at the helm probably didn’t hurt.
The playwright and director came up together in Chicago theatre. Now they’re kicking off Shapiro’s Steppenwolf regime with Letts’s ‘Mary Page Marlowe.’
As if running a Manhattan arts center weren’t enough, Mikhail Baryshnikov has two new solo shows on his dance card.
The versatile actor makes his playwriting debut with a romantic comedy in which he plays—who else?—the devil.