For Michael John LaChiusa, When It Rains It Pours
With ‘Rain’ and ‘First Daughter Suite,’ the composer/lyricist returns to signature themes in typically uncharted ways.
With ‘Rain’ and ‘First Daughter Suite,’ the composer/lyricist returns to signature themes in typically uncharted ways.
How did a modest Off-Broadway company become America’s biggest nonprofit theatre? Having Todd Haimes at the helm probably didn’t hurt.
The playwright and director came up together in Chicago theatre. Now they’re kicking off Shapiro’s Steppenwolf regime with Letts’s ‘Mary Page Marlowe.’
As if running a Manhattan arts center weren’t enough, Mikhail Baryshnikov has two new solo shows on his dance card.
The versatile actor makes his playwriting debut with a romantic comedy in which he plays—who else?—the devil.
What to do when you’re writing for TV and worry you’ve lost your stage mojo? Write a play about writing for TV.
As the new artistic director of PlayMakers Repertory Company, she is focusing on new plays, diversity, community, and the future.
The managing director of the Louisville theatre talks about what she’s learned and where she’s going in Minneapolis.
The ‘Office’ star has wanted to tackle Will Eno’s breakthrough monologue for a decade, and Geffen Playhouse had an open slot. Is he ready to get shouted at?
She may have hoped to write a comfy play about the vagaries of menopause and after, but, in her art as in her life, she couldn’t take the easy way.