Writing All the Time: Anthony Chisholm on August Wilson
The actor, who received a copy of the playwright’s famous speech in the mail, remembers it chiefly as an act of self-definition.
The actor, who received a copy of the playwright’s famous speech in the mail, remembers it chiefly as an act of self-definition.
In 15 years of conversation, the acclaimed author formed a long, deep bond with August Wilson over shared experiences and diverging perspectives.
Putting Strindberg’s ‘The Father’ and Ibsen’s ‘A Doll’s House’ in rep heightened the similarities, and the contrasts, between the Scandinavian rivals.
The versatile star, who says he prefers singing to acting, brings his concert ‘Dress Casual’ as a benefit for CityRep.
Known for plays that call out social injustice, the ecofeminist writer returns to an earlier, more hopeful work—but she hasn’t lost her sting.
Founded during a fertile New York moment, Bonnie Marranca’s journal continues to cover performance critically, not academically.
The choreographer/director discusses the new Toulouse-Lautrec musical at Long Wharf Theatre, with music by Charles Aznavour.
Taking a cue from the Jazz Age icon’s fearlessness, singer/actor Cox adds some dance to her résumé for a show at Asolo Rep.
In a first for the British theatre giant, it has helped create a new American production of Lucy Prebble’s ‘The Effect’ at the Barrow Street Theatre.
Tim Federle, author of ‘Better Nate Than Ever,’ talks about his journey from chorus boy to cowriter of the musical ‘Tuck Everlasting.’