Sam Gold and Andrew Lieberman’s Boxed-In ‘Othello’
Why the director and designer, longtime collaborators, decided to serve up Shakespeare in a plywood container.
Why the director and designer, longtime collaborators, decided to serve up Shakespeare in a plywood container.
The British director, who’s bringing her new Kneehigh show ‘946’ to Berkeley Rep, tells us why gender parity shouldn’t be so hard to achieve.
The chairman of NBC Entertainment works in TV, but he’s bringing theatre into people’s homes and onto their stages in every way he can.
The ‘Frozen’ songwriter makes her Main Stem debut with ‘In Transit,’ the first a cappella musical on the Great White Way.
The ‘Bad Jews’ playwright responds to a miserable election season with a comic take on a Greek tragedy.
In adapting 3 early works by the Russian master, the English playwright met a young, passionate artist, not a distant deity.
Harold Prince has always made work that matters to him—and most often to a wide audience.
Broadway’s only African-American lead producers share their paths to producing and some tricks of the trade.
The Emmy winner takes on the role of Regina Giddens in the Lillian Hellman classic.
As Charles Kopelman and Sarah Douglas of Abrams Artists Agency explain: They talk, the playwrights write.